Guinea Bissau: Rediscovering the Soul of a Forgotten Land

I recently returned to the West African country of Guinea-Bissau on a generous grant from the Alexia foundation to revisit a village where I began my career as a photographer ten years ago. Young and very green, I had applied for a grant from them back in 2000, on a whim. To my delight and horror, I got it – even beating out some National Geographic photographers I heard, who had also applied that year. I had no idea what I was doing and was terrified. But the foundation felt there was something special about my proposal to document a small village in an unstable country torn apart by war. They took a risk on me back then and changed the course of my life.

Flash forward to 2011, and not much has changed in Guinea-Bissau. Bullet holes still pockmark the elegant facade of the presidential palace, its gutted interior still blackened by bombs from a civil war fought over a decade before. One aid organization working in the area has unearthed approximately 3,000 anti-personnel mines in the capital and is still digging up unexploded ordnance in the countryside. Corruption, a devastated economy and continuing instability continue to erode the urban center, while crumbling infrastructure and skirmishes with separatists in neighboring Senegal have caused thousands of civilians to flee border areas. Despite my experiences working in such places, returning felt just as terrifying as when I first arrived ten years ago.

Guinea-Bissau is a forgotten state. Few flights arrive here each week, aid agencies are scarce, and now the country is being called Africa’s only narco-state, a nation controlled and corrupted by drug cartels. As a recent U.N. report concluded, it has everything criminals need: “resources, a strategic location, weak governance and an endless source of foot soldiers who see few viable alternatives to a life of crime.” Many fear this will further destabilize the already volatile country.

Even getting a visa was a challenge. Every phone number I found for a consulate or embassy was disconnected, and flights to neighboring Senegal had been canceled for weeks due to conflict near the border. I finally came across a number in New York. The woman who answered was the UN representative, running the consulate out of her home for the last seven years because the country was too poor to pay rent for an office. After a few questions, she paused: “I know you,” she said, laughing, “You sat next to me on the plane to Bissau 10 years ago. I still have a photo of you with my daughter.” I was shocked. This was a powerful reminder that despite all the problems, it’s the people who make a place special, and it is personal connections that help me through obstacles.

Once I landed, my fears washed away. I once studied Pulaar, the local language, and now I was putting it to good use, remembering all its elaborate greetings. This was the single most important thing I could have done to prepare for my trip. It kept me safe. As I took public transport to the village, my fellow passengers stared at me with shock and delight. They were so thrilled that a foreign woman would know some of their language that I could tell right away no one would ever harass me. Instead, I was met with laughter, smiles and gracious offers to carry my belongings. The women in the village saw me first and began running to greet me. I cried, they cried, we laughed and settled in for the night. I spent 12 days there, listening to their stories and taking photos.

I learned on my first visit that every day is a struggle for Guineans, but I was mesmerized by the people who gave so much to open up my eyes to the beauty and sadness of their lives. Through it all, I was reminded of how similar we all are despite the distances between us.

On my last evening in 2001, I sat with a group of children beneath a sea of stars talking into the night about my return home. One of the children, Alio, innocently asked me if we had a moon in America. It seemed so symbolic and touching that he should feel like America was a separate world. I was able to meet Alio again this time around. Now he is a young man with a cell phone and a worldly vision. I asked him if he remembered our conversation about the moon. He laughed shyly and said, “Yes, I know now – we share the sun and moon – but here you are our guest, so we will share ours with you.” Once again I was reminded that no matter how desperate and impoverished a place may look, the truth is that nearly everyone on this planet shares the same values. I see a lot of people with common notions of kindness, peace, generosity and a sense of community, and the moon serves as a constant reminder that we are all tied together in an intricate web, whether we believe it or not.

Covering Conflicts

With the events unfolding across the Middle East, the Dart Center for Journalism and Trauma contacted myself and several other journalists who have worked in conflict zones to better understand what you can do to cover volatile street protests without getting injured. Here are my comments and please look at this link to see some intelligent advice from a  few well-known, seasoned journalists who have collectively covered many of the most dangerous hot spots on the globe.

1) First find a safe place that gives a clear view of what is happening without putting you in the middle of the fighting. For example, go on top of a building above to analyze what is happening below. Take time to watch how the police/military   and crowds are reacting. Do they have live ammunition? Are events escalating quickly? Its important to understand what might happen and how to find a safe place to cover unfolding events.

2) Go with someone who knows the city well if you do not.  Know where there are some exit points. For example, don’t get caught in between a crowd and the police on a bridge. There is nowhere to escape if it turns violent. If it’s in a city, look for doorways and alleys to slip into if you need a quick escape.

3) Understand there is no reasoning with mobs. My own personal experience was in Palestine when a mob of angry young men thought I might be an agent of a foreign government. The only thing that saved me was because I had spent the day with a group of women in their home and they saw the angry mob and came to rescue me. Because they felt they knew me and trusted me, they got involved. If I had only showed up to cover this event and had known anyone, there is a good chance I would not have made it out alive. Mobs are angry, there is no reasoning with them and they often want to see blood in order to avenge someone.

4) Understand visual cliches and try to get past stereotypes in a fast-breaking story. For example, I will often try to find quieter ways of telling a violent, sensational story. The violence often overshadows the deeper message.

Santa Fe Workshop: From Stills to Video

The medium I work in is changing and video is now playing a much bigger role in what we do. Cameras like the one I carry can shoot hd video and it can enhance our abilities as storytellers.  This is already playing a big role in my future but I don’t think I would have had the courage to take the leap into shooting video without one small lie, to Nikon, when they called and asked if I knew anything about making videos.  “Yes of course”, I replied instantly, knowing nothing about moving images or how to even operate the camera. I assumed I’d have time to learn before the shoot but was surprised when they sent the camera only the night before my trip to India began. I frantically studied the manual on the 28 hour long journey and arrived terrified and wondering if I had just made the biggest mistake of my life. Here is the film I made there, an homage to India.

If I had not had the opportunity, I am sure I never would have made the leap but I’m so grateful I did. In a time when media is struggling and searching for a new path, I’m finding that I am busier than ever telling meaningful stories in new ways. Its an exciting time to be a photographer and journalist. I am teaching a week long workshop for the Santa Fe Workshops from February 27 until March 5. I will show my students all the mistakes I made and at the same time, how learning this skill will create more opportunity.

Madagascar

I’m back from Madagascar where I spent a month before the holidays,  discovering the island for a TV show called “Maritime Africa”. It will be a five-part documentary series about the islands around Africa.  SWR/ARTE (German and French public TV) and twelve other European stations will air the show that will be about the islands, their people and the distinct cultures as I document it for a coffee table book.  It was a privilege to work with this incredibly talented group  of people. Check out their website: http://www.filmquadrat-dok.de/ Images will follow soon!

Speaking in NYC

For anyone in NY, I’ll be speaking November 1, 2010 at 42 West 18th Street, New York at 5:30pm on transitioning into making films as a still photographer. During this evening’s presentation, I’ll show work from India, Bangladesh and Sierra Leone and how photographers can find a niche in today’s changing world of photojournalism.With media outlets going through rapid transitions, this is a perfect time to find opportunity in technological changes to tell the stories to new audiences once thought unreachable. If you are a photographer interested in how to create memorable photographic stories and multimedia presentations, this talk is meant to inspire you.

United Nations Millennium Goals Multimedia project

In 2010, I made a short film in Sierra Leone on maternal health which is now online on LinkTV.

http://www.linktv.org/viewchangefilmcontest/films/view/851

Sierra Leone has among the highest maternal mortality rates in the world. In 2009, it is estimated that one in eight women died during pregnancy. To get some perspective, one in 47,600 women die in pregnancy in Ireland. The reasons are complex but in part it is due to an insufficient health care system. In the capital of Freetown, one doctor has to serve more than 100,000 people. Getting drugs and equipment is expensive and the country is in desperate need of more trained doctors. Yet there may be hope  since the government announced it will give free health care to pregnant women and children from April 27th, 2010 but they need help from the international community to make it sustainable.

I worked together with fellow student Lauren Malkani for just a few short but intense days in Freetown to create this short multimedia story while getting my Masters at the University of Miami in 2010. I also worked as Senior Producer with the Knight Center for International Media along with Rich Beckman, Tom Kennedy, and a great team of students to produce this website on the UN Millennium Goals. http://mdg.glocalstories.org/

Sierra Leone: Where every pregnancy is a gamble.

Some of the images in this video are graphic and viewers may find them disturbing.

Sierra Leone has among the highest maternal mortality rates in the world. In 2009, it is estimated that one in eight women died during pregnancy. To get some perspective, one in 47,600 women die in pregnancy in Ireland. The reasons are complex but in part it is due to an insufficient health care system. In the capital of Freetown, one doctor has to serve more than 100,000 people. Getting drugs and equipment is expensive and the country is in desperate need of more trained doctors. Yet there may be hope  since the government announced it will give free health care to pregnant women and children from April 27th, 2010 but they need help from the international community to make it sustainable.

Your Website: Tools for the Freelancer

As a freelancer, you have to stay on the cutting edge and rely on your equipment and good people to help you to succeed.  Cameras, computers, designers, fixers, translators, archiving and distribution tools are some of the things I must be able to trust in order to spend my time concentrating on creating images and telling stories. Over the course of my career, I’ve been able to establish relationships with several key people, and it’s my intention to share my contacts with you through this blog.

For independent photographers, the website is the single most important tool after a camera. The content is critical but there are a lot more things to consider than just design. Taking the time to research and explore the options available are critical before you choose a design and the infrastructure supporting it. The first question you need to ask is,  “Who is this website for?”

Very often photographers make the mistake of trying to make their website for everyone and in fact, they may end up trying to be too many things for too many people. Trying to be a wedding photographer, a fashion photographer and a sports photographer is a tough thing to do but if you have managed to do all of these well,  I would encourage the designer to create separate sites rather than cramming everything together in one site. The truth is,  specializing and creating a niche rather than attempting to be everything is far more powerful than being a generalist in today’s media environment.

I use WordPress and PhotoShelter together and every time I add new images to my online archive, they are updated to my website using WordPress. Back in the day, I never had time to update my website because it was too work intensive. I would have to resize images and upload them in addition to writing captions and stories. I literally stopped updating my website for 6 years because it was just too time consuming. The combination I chose has streamlined my workflow and it works seamlessly with my online archive that is housed with PhotoShelter. After I have uploaded the images to PhotoShelter, I can send them instantly to a variety of clients through their system. All the work is transmitted through their network and server, and this means it is distributed much more quickly and economically than trying to individually transmit images one by one to different clients.

A view from the inside of my PhotoShelter archive.
(A view from the inside of my PhotoShelter archive.)

I know the people behind PhotoShelter and believe they care about independent photographers. If I ever have a question of any kind, I can always pick up the phone and get an answer. This type of personal relationship is critical for my business.

I am using the built-in shopping cart inside of my PhotoShelter archive to sell very high quality fine art prints. Richard Jackson from Hance Partners is my printer, and he creates the high-end limited edition prints that customers buy directly from my website – without any work on my part. Since there is no work involved in processing the orders, it’s a win-win situation for everyone. I can sell prints even when I am on assignment, away from a computer or phone, and the customer gets a print I know will be beautiful because Richard works so meticulously on every detail.

(The built-in shopping cart, where I sell limited edition prints.)
(The built-in shopping cart, where I sell limited edition prints.)

The photographer’s business model may have changed but the nature of our work has not. I still work on the stories I feel passionately about but I do all of the planning, pitching ideas, production and transmission from my laptop. I can be almost anywhere on the globe and pitch ideas, send images, sell prints, give online critiques and much more.

Why am I excited about the future? It’s exhilarating because we can ultimately create our own future. I can work independently, produce creative documentaries and touch audiences whose numbers eclipse what radio or television ever was able to reach. I have the tools that allow me the freedom to create and now the ability to also distribute to a global audience. Sure the future of journalism is going to be different but I believe with creativity and commitment, we will find new ways to make this work.

Grover Sanschagrin, Founder of PhotoShelter, recently visited Miami. He conducted a little video interview with me that explains why I think PhotoShelter is such an important tool for independent photographers.

If you are interested in giving PhotoShelter a try, using this link will give you up to a $30 discount when you join.

Return to Sierra Leone

I am leaving tomorrow to Freetown, Sierra Leone filled with feelings of anxiety as well as hope. The last time I was there was just a few months after the brutal civil war ended in 2002 that claimed tens of thousands of lives and left more than a third of its population displaced. Yet it is the unspeakable atrocities that are so haunting. I remember back in 1999, Miguel Gil Moreno de Mora, a friend and extremely committed journalist, who was later killed covering the conflict, told me stories of rebels offering their victims the choice between a “long sleeve” or “short sleeve” just as they were about to hack off their victims’ arms. When I arrived, three years later, I saw faces devoid of expression, weighed down by these horrific memories. The goal was not just to kill people but to terrorize an entire population.

Today security and the politics are steadily improving but there is a quieter battle still going on.  One in eight women are dying giving birth. The government recently announced free health care to pregnant women, breast-feeding mothers and children under five beginning on April 27. With only about 170 doctors for more than 5 million people, this will be a daunting task.  I hope this documentary can raise awareness, promote change and help. The doctors, health workers and government are working hard to change the statistics.

If you are interested in learning more about this or want to donate, the following links are to organizations working there.

Unicef

Marie Stopes International

Doctors Without Borders

Amnesty International

Flight for Survival: How it happened?

rhino

They are huge but gentle, lumbering beasts and there are only eight left on the entire planet. Scientists believe the magnificent Northern White rhinos are nearly extinct. There are rumors of some, a few at best, in Southern Sudan but none have been seen for many years now. These eight, two in the San Diego Zoo and six in the Dvur Kralove Zoo in cold, snowy Czech Republic are all we know of the second largest land animal on earth.

In a last ditch effort to save this species from extinction, the Lewa Conservancy in Kenya cut a deal to airlift the last four breeding age animals from the Czech Zoo to live “free” on the savannas of Kenya, not too far from Mt. Kenya. The hope is that Africa, the temperance of the climate and the room to roam will entice them to breed and establish a nucleus for the future re-population of their former Central African range. If that does not work, then breeding them with Southern Whites can help preserve their genes.

I heard about the plans and immediately visited them while I was in Prague for a workshop last October. The story captured my heart instantly. It is a story of hope and of a second chance, something rarely seen in the environmental movement. Surprisingly, no one was interested because it was not a visual story. The rhinos would be in wooden crates for the entire journey and to most editors, it justifiably was a lot of expense for a story that would be difficult to tell. In today’s economic climate, no one can afford to risk investing in a story that might not work.

Yet, I could not let go and wrote another more impassioned appeal for help to get me there. This move was a last ditch effort for saving this entire species and I did not want to miss the opportunity to document it. It was more than a story of flying rhinos 4000 miles across the globe. It was a story of conservationists feeling confident enough with Africa to bring back a critically, endangered animal. The animals are getting old and they would not live long in the Eastern European zoo, under smokestacks and snow. I could not imagine a more poignant picture.

Thankfully, several organizations pitched in. None could afford the entire costs but each was willing to help. Organizations like National Geographic, MSNBC.com the Knight Center for International Media and The Nature Conservancy supported me to tell this great story of hope and reversals. I am so grateful to them and the people that allowed me access, specifically the wonderful, generous people of Dvur Kralov Zoo and Ol Pejeta Nature Conservancy. There are so many people to thank and the woman who made it all possible is Elodie Sampere of Ol Pejeta. I am eternally indebted to her for her persistence and generous spirit. Berry White and Pete Morkel are the veterinarians who were incredibly patient as I followed them in what must have been one of the more sleep deprived moments of their lives. There are so many people to thank for allowing me the privilege to witness this incredible moment.

On my last day, moments before I was set to drive back to Nairobi, the skies darkened and it felt like a monsoon in the middle of the savannah. Within minutes, the rhinos responded like children, running as fast as they could and then flopping their 2 ton bodies into a belly dive in the most glorious mud bath. Sure I don’t want to be too anthromorphic about such things, but they looked like they were smiling. That moment alone was worth all that it took to be there. The fact that this is the beginning of a renewed interest in keeping and repopulating parts of Africa with this magnificent species, whose only curse was to be born with a price on its head, is all the inspiration I need.

The rhinos are doing well and adapting quickly. If you want to keep updated on how they are or find out how to visit them, go to Ol Pejeta’s website.