The moment we’ve all been eagerly awaiting has finally arrived and choosing a winner was no easy feat, each of the 515 applicants was nothing short of awe-inspiring! I want to sincerely extend my deepest gratitude to all of you who participated.
It was truly humbling to witness the immense talent and passion displayed by all the applicants for the Antarctica trip. Each submission was a testament to the incredible dedication and creativity within our community. The decision-making process for the judges was undoubtedly challenging, as every applicant brought something unique and valuable to the table.
Drum roll please…. I am thrilled to announce that the winner of the Vital Impacts trip to Antarctica, the Falkland Islands and South Georgia with me and Polar Latitudes is Madison McKay!
Madison is a marine biologist and science communicator, currently researching Bull Kelp restoration in Northern California as part of her master’s degree at Moss Landing Marine Labs. Known for her captivating work on Instagram as @its_mad_science instagram account and on TikTok as @nudibranch_nerd, she has enchanted millions with the marvels of tide pools and enlightened us about the enigmatic nudibranchs.
Madison was surprised and said, “I was completely surprised and thrilled to hear I won this once in a lifetime opportunity! I am honestly still in shock! Visiting Antarctica is every marine biologist’s dream and I can’t believe it is going to become a reality. I hope that by educating others on the importance and beauty of these ecosystems I can encourage others to get into this field and be good stewards of the environment. I can’t wait to learn more tools for communicating science and creating meaningful connections between our communities and nature.”
And I too am honored and grateful to Polar Latitudes for allowing me to share this experience. Going to Antarctica is a rare privilege and one that I do not take lightly. I hope that we will do more than just showcase the beauty of this remote landscape but instead, nurture the next generation of advocates for our planet. By providing mentorship and firsthand experience in such a critical environment, I hope to empower our winners to create impactful narratives that resonate globally. The goal is to spark meaningful conversations, inspire action, and ultimately drive positive change for the future of our planet.
If anyone is interested, we do have a handful of spaces left on this Polar Latitudes expedition to Falkland Islands/Malvinas, South Georgia and Antarctica! I am leading an immersive photography program onboard and you will not only make amazing photos but also come back with important visual storytelling skills. 10% Early Bird pricing is available if you book now! Learn more here.
Finally, I am incredibly grateful to my generous sponsors Nikon who will be awarding a brand new Z8 camera, to Luminar Neo who will be awarding a one year license for Luminar Neo photo editing software, to ThinkTank Photo who will be awarding their Mirrorless Mover bag and Secure PPR card wallet and finally, we at Vital Impacts will be awarding 8×12 inch prints from our current initiative “The Nature of Hope: 90 Prints in Honor of Jane Goodall”
Thank you again to everyone who shared their powerful work. It was an honor to spend time with your photography. I invite you all to apply for our 2024 Grant and Mentorship Program. Details on the program are available here.
Embark on an unforgettable journey to Antarctica, the Falkland Islands, and South Georgia to learn the art of visual storytelling!
Any number of ships can take you to Antarctica. And the incredible landscape, the wildlife, and Antarctica’s ethereal light – it will all be waiting for you regardless. But how you experience this wonderous place and how deeply it touches you will depend in large part on who you travel with.
I am thrilled to announce that I will be partnering with Polar Latitudes to journey to Antarctica, the Falkland Islands, and South GeorgiainNovember 2024. This will be much more than just a travel experience, it’s a chance to immerse yourself in the breathtaking beauty of this icy wilderness while also becoming an ambassador for its preservation. I will be leading an Immersive Photography Program, curated by Polar Latitudes, and meticulously crafted to empower photographers with a profound love for nature to harness the power of visual storytelling. You’ll not only capture the mesmerizing landscapes and wildlife but also convey the urgency of protecting this remarkable ecosystem.
Adding to the excitement, I’m thrilled to announce that we are giving away one spot to a female-identifying photographer or artist to join me on this unparalleled expedition. Applications are open until March 28!
About this Antarctic Photography Adventure
The trip to Antarctica, the Falkland Islands, and South Georgia begins November 1st in Ushuaia and returns on November 21st, 2024. I am thrilled to partner with Polar Latitudes, who are renowned for their expertise in small-ship Antarctic expeditions. This is a wildlife lover’s dream journey! With beaches covered in fur seals, elephant seals, and hundreds of thousands of penguins, it’s one of the most jaw-dropping nature scenes you will ever experience. It’s an experience that promises to be both humbling and exhilarating.
Over the course of our 22-day expedition, we will have small groups and I’ll be offering on-the-ground photography guidance and conducting personalized photo reviews. Together, we’ll not only capture remarkable images but also cultivate a deeper understanding of how visual storytelling can serve as a tool for conservation and preservation.
This will be an environment where creativity thrives. I’m eagerly looking forward to providing feedback to both aspiring and seasoned visual artists as they expand their skills and utilize photography as a tool for planetary conservation.
If you book your space now, you can secure a spot and enjoy a 10% off Early Bird pricing special, plus an additional 5% if paid in full here.
Win a trip to Antartica!
This month in honor of international Women’s Day, Vital Impacts, Polar Latitudes and I are teaming up to launch a contest for one aspiring or experienced female-identifying photographer to accompany me on this trip. To enter, contestants are asked to tag @polarlatitudes, @amivitale and @vital.impacts on social media, share one photo and either post a video or send an essay about how they’ll use the experience to create a positive impact. The deadline to enter is March 28.
The trip is valued at $28,000 and this package includes one roundtrip economy class airfare ticket to Ushuaia, Argentina (up to $2,500), airport transfer, shipboard food and accommodation (a shared cabin with one female Vital Impacts team member), and more. In addition to training, workshops, and inspiration, this Antarctica trip offers a chance to become immersed in Vital Impacts, my women-led nonprofit that uses art and storytelling to support grassroots conservation.
I am excited to release a new, behind the scenes film on my work in Kenya with Reteti Elephant Sanctuary for World Elephant Day. I hope it gives a glimpse into the powerful story of a community coming together to protect and save these magnificent creatures. I am grateful to Katy at Sprout Films for her sensitivity and commitment and Nikon for their endless support. Hurry, there is just one day left to buy a print or enter and win a Nikon D5600 camera and 2 lenses, Think Tank Photo camera bag and a print of one of the adorable elephants at at Reteti at amivitale.com/elephants
B&H published an in-depth feature on Ami Vitale, covering the story of her career trajectory from conflict photographer to documenting the natural world. Thanks to one well-timed assignment focusing on people’s relationship to nature in remote locations worldwide, Ami’s whole photographic career shifted.
“That chance for reflection, to look at the natural world, helped me put all the pieces together,” Vitale says of this project. “I realized that all the conflicts I had been covering were ultimately about our resources. That the biggest story, which I had been missing, was our natural world and what we’re doing to it. It was one of the most transformative moments in my career.”
After receiving a Master’s degree in filmmaking, the scope of Ami’s work expanded further, which the story explores along with sharing her advice for other photographers and information on the gear she prefers. It emphasizes her mission to share stories of hope and to encourage people everywhere to take action to preserve the world for future generations.
The Nikon D750 has won the coveted award of Popular Photographers Camera of the Year 2014 and I’m not a bit surprised. I was impressed by the power they packed into this well designed body. I bet there is more technology in the full frame D750 then they sent up in the space ship Apollo.
I recently made a trip to Puerto Rico and challenged this camera out in every imaginable way. We put it through some serious tests and literally almost got washed away a few times. The weather-sealed magnesium-alloy body saved the camera and me. I love working in very low light situations and took it inside pitch black caves. There was no pixelating. The high-speed action was tack sharp as cliff divers plunged beneath me. I fell in love with the well designed, tiltable 3.2-inch monitor that allowed me to get extreme angles and create unusual images shot from the ground. Combine that with Nikon’s 3D AF tracking. It is simply the best focus tracking you can find.
This camera is great for serious amateurs and professionals. I have it in my lineup now. Its built for high-speed action, high resolution photography and is the best value for money you can find for about $2500.
I took some time to write up a list of tips on travel photography for B&H Photo’s Explora Blog. Let me know what you think.
Photography is not about the camera. It’s not even about the beautiful images we create. It is about telling powerful stories. Photography is a tool for creating awareness and understanding across cultures, communities, and countries; a tool to make sense of our commonalities in the world we share. I believe the way to find common ground is by seeing yourself in others.
A lot of my work involves traveling to foreign countries and living in remote places. My job is to become invisible and get close to people and wildlife, so I can bring their stories to life. It’s no different being in my home state of Montana than it is being in a country ten thousand miles away. For me, the intimate moments always matter the most.
Photography has been my passport to meeting people, learning, and experiencing new cultures. I want to talk about the methods and sensibilities I use to bring back powerful, story-telling images without getting hurt in the process. Here are the top ten rules that I live by.
1.Research
Read everything you can about the place you’ll be visiting, especially local newspapers and social media. Local stories that may not reach the large international papers give me clues about what’s really happening in a place. Establish relationships before you even get on the plane. Make a point of befriending other photographers and sources. Nothing is as valuable as another photographer who has been there. I like to use social media to meet people, or through websites such as lightstalkers.org, where there’s a forum to connect and ask questions.
In this case, the story was about China releasing the first female giant panda back into the wild. With careful planning, we were given access to create a more powerful story that showed humanity’s relationship to the Giant Panda. With some thinking ahead and planning, I acquired a more unique image.
2.Go deep
I don’t view travel photography as solely an adventure. Although I get to witness extraordinary things, it’s not simply about jetting off to exotic places. The magic really begins when you stay in a place and give yourself enough time to gain insight and understanding. It requires tremendous persistence and patience, but I would rather spend more time in one place than try to see it all. One way to get beyond surface images is to plan a trip to one location, several times, if you can. Below are two anecdotes about how I gained access and went deeper into a story.
I spent a couple of days with Subita and her family. At no time were we alone; around us hundreds of digital cameras were firing away. Before dawn broke, as we huddled around a fire, at least a half dozen people were looking at her only through their lens. The only time any of them acknowledged me was to ask me a technical question, like what ISO would work best in the stingy light.
Later, Subita would tell me how dehumanizing the impact of eager tourists and their cameras were on her. They made her feel like an animal―this is how she expressed it. No one even said namaste, or hello, to her. Those who surrounded her were after only one thing—what they considered a great shot. It was a hunt and she was simply the prize.
If some of the people who surrounded Subita had taken the time to spend even a few hours with her, learning a bit more about her life, they would have had a story and not just an image.
3.Be authentic and sensitive
The easiest way to make compelling, real photographs of people is by being authentic. Making candid images of people is not a trick. It’s a skill a photographer can develop, which requires respect for the subject and building a relationship in the time you have together. Successful pictures of people almost never happen from a distance. Put away the telephoto lens and become part of the moment.
Talk to people. Whether it’s simply a nod of acknowledgement, a greeting, an explanation of what you’re doing, or a long involved conversation, connect with the people you are photographing. Remember, we have more in common with each other than you might think. Don’t look at people as different or exotic. Rather, focus on the things that unite and bind us.
Children are one of the most universal themes that unite us all. This is a group of children who were displaced by conflict in the state of Gujarat, in Ahmedabad, India.
4.Know your equipment
If you exude apprehension or tension, people pick up on it and cannot relax with the added element of a camera. Know your equipment so that you can focus on relating to your subjects. Your confidence in yourself will instill confidence in them. For me, simplicity is the key to success. I never bring new gear on an assignment or a trip, it’s always tested at home first, and I bring backups on the real trip. Simple is always better. It’s okay to use the latest and greatest technology, but know how to use it before you start your trip.
I’ve been using Nikon equipment for many years. I test my cameras and lenses thoroughly, as soon as I get them. I want to be so comfortable with them that I could operate the gear in the dark. This image of the wrestlers had beautiful but extremely tricky lighting. I had to adjust my settings quickly to capture this shot successfully before the light was gone.
5.Keep good notes
You think you will remember everyone you meet, but time and age fade the memory. In the past, I used to take down people’s names and a short description of what they were wearing, or some distinguishing feature about them. I would get back home, start looking through my notes and discover many of the girls I was photographing wearing similar-looking pink dresses. Now I carry my phone, loaded with a model-release app called EZ Release, which allows me to take pictures and get their consent at the same time. I also make a habit of writing captions and labeling images right after a trip ends, and not procrastinating.
Use your phone to take notes, get releases, and remember the people you meet on your travels.
6. Dress appropriately
Fit in with the scene. Understated is always best. Again, sensitivity for the mores and norms of where you are goes a long way to being accepted. A female photographer may want to wear a scarf to cover her head in some cultures. It’s one of the most visible ways to show respect for local sensibilities. I also avoid looking like the stereotypical photographer (black cargo pants or vests with lots of pockets).
When the first female panda was being released into the wild, I dressed myself up as a tree so as not to scare her. The director of the panda program was touched. He came running up to me, hugged me, and exclaimed, “You get to hold two baby pandas! President Obama, he only held one baby panda.” The doors opened and we got excellent access for the rest of the story, and got far stronger images because of it.
Later, we all dressed as pandas so we could get behind-the-scenes access to the panda training center where they train captive-born pandas to go back into the wild.
7. Meet the leaders
Whether you’re in a slum or a city, there’s always a hierarchy. If you take the time to explain why you’re there and get the blessings of the leaders or elders in any community, it will keep you safer than wandering around aimlessly. As a woman, I also take time to meet the women leaders in a community, too.
One evening, after photographing angry protesters, a rogue group of young men decided that they wanted to use me as an example to show their anger towards US policy. I had spent the day with the women leaders in the village, and they came to my rescue when they saw the mob scene developing around me. After that, I always spend the first day of any trip meeting local leaders wherever I’m working, and get their blessing. I’m always amazed at how quickly the news of my project spreads in a community. Everyone knows why I am there and doors open.
Getting close and intimate with people requires time and understanding. Building relationships is the most important aspect of what we do. This is an image of a mother being consoled by her family at her daughter’s funeral, in Kashmir, India. I spent four years documenting this culture, and because I took time and built relationships, I was invited into people’s lives and was able to reveal the sometimes difficult, yet always intimate moments.
8. Trust your instincts
I rely on the kindness of strangers everywhere I go. It is real and out there—most people are lovely and kind. It’s a wonderful world out there, but remember to be on guard, as unfortunately, bad clouds can form and tensions can escalate. Trust your instincts and don’t ever assume or be lulled into a false sense of security. Even if it feels safe, don’t let your guard down. I have found that establishing relationships in advance is the best way to prepare.
Just like this man built trust with the camel, you need to trust and work on the relationship on the other side of the lens.
9. Give back
Your subjects are giving of themselves. Don’t abuse their gift of sharing their lives. Don’t treat them like models. Send back some prints, cherish the moment, and treat them well. Don’t promise if you don’t intend to deliver. In this age where many people are digitally connected, it has become easier than ever to email a jpeg to an address for your subjects to share.
Whether you bring back prints or simply spend time talking to people, it’s important to make photography not just about taking images, but giving back, too. This is Subita and her sister as I am teaching them how to use my camera.
10. Have fun
Yes, getting the shot is important, but be thankful that you have the opportunity to even be where you are. Pinch yourself and enjoy the moment. It relaxes everyone, and the pictures and stories are better for it.
Literally dive in and immerse yourself wherever you are. Find ways to connect with people. This is in Madagascar, and I’m just having fun.
If there is only one thing you take away from this, I hope it’s the understanding that all of us are not only photographers, but we are storytellers. There is a beautiful, universal truth everywhere and, if you peek under the veil, you’ll find a wondrous commonality between us. I hope that in your travels, you use your camera not just as an extension of your eye but also as an extension of your heart.
If there is only one thing you take away from this, I hope it’s the understanding that all of us are not only photographers, but we are storytellers. There is a beautiful, universal truth everywhere and, if you peek under the veil, you’ll find a wondrous commonality between us. I hope that in your travels, you use your camera not just as an extension of your eye but also as an extension of your heart.
My workhorse cameras have been the Nikon D4 and D800 but recently, I picked up Nikon’s compact P7800 Coolpix and it has reignited my passion for photography. Normally I carry big lenses and heavy gear on my adventures but have found its really not that practical in a lot of situations. For example, when I’m on horseback or on the slopes, dangling lenses can get knocked around pretty badly. But I never have wanted to sacrifice image quality for the convenience of a small camera. Now there is a solution and the optical quality is impressive for such a small and light camera.
I’m not an engineer and can not get into the nitty gritty details of the technology but this little camera is a gem. The bright F/2 lens and well designed shooting modes make it possible to shoot hand-held in my favorite situations when its dark and moody and there is not a lot of light available. The Nikon optics are sharp and the sturdy build allows me to take it into all kinds of crazy situations. The image quality allows me to publish these images as double spreads in magazines. Im also shooting some sweet, short videos.
Whether you are telling a story about your family, a vacation you took, a wedding or you are a professional photographer, the heart of what we do is always about story telling. And I’ve learned the best cameras and the best technology never gets in the way of great storytelling. That’s why I love this little P7800.
The cameras have been turned and I’m on a new National Geographic Channel tv show called “Mission Covershot” shot in Sri Lanka! The show captures the journey of eight photographers as they compete to get the perfect covershot and the chance of having their photo on the cover of National Geographic magazine. I had the pleasure of being a lead judge on an esteemed panel that included leading Indian director Nagesh Kukunoor and National Geographic Magazine Traveler photography editor Ashima Narain. The lovely and charismatic Shibani Dandekar joined us as the host of the show. I hope the series will not only be entertaining but also educate audiences and aspiring photographers about what it takes to make powerful photographs and stories. It may look easy to carry a camera and make beautiful images but there is a lot of hard work behind each photograph. And most of the time, working hard is much more important than raw talent. Millions of people can take nice pictures but you need to also have intelligence, ethics, sensitivity and know how treat people with respect. So tune in on the Nat Geo channel Monday nights at 10 pm from March 25. Click HERE to see a promo video.
New IMAGES HERE:More and more, people want to know where their steak comes from and how it was raised. Spurred by growing concern over beef’s environmental impact and the long-term viability of their livelihood, a cohort of Montana ranchers is working to integrate ecological practices into livestock management.
Over the last year, I’ve been spending time with ranchers to understand what it means to ranch in this day and age. Is it possible that cows can be good for the landscape and ranching can still respect the animal, wild or domestic? The ranchers share a deep love of their livelihood and the land. Together, they work withThe Nature Conservancyon an integrative conservation effort in the Centennial Valley, to preserve the integrity of the land in a way that benefits both people and wildlife.
The folks at Yellowstone Grassfed Beefbelieve that by mimicking the behaviors of wild herbivores, calving in the spring and intensely grazing an area for a brief period, before moving on—rangeland health will improve. These practices reveal a deeper story—one of layered realities and changing times. Resilience, inventiveness and adaptability are not foreign concepts to these ranchers, nor is living at the interface of wilderness. Yet, does the value of what they know and the work they do translate to the dinner plates of those they feed?
National Geographic has posted our story on the Dene First Nation people HERE.
The ancestral home of the Dene First Nation people is a landscape of unfathomable vastness. 52,000 square kilometers span this region, south of the artic circle, along the Nanuvet and Northwest Territories of Canada. The place is replete with musk ox, grizzly bear, wolves, arctic grayling, tens of thousands of caribou, and billions of biting flies. The-lew-dezeth, the wide and frigid river that flows here is for the Dene, the place where God began. Yet, for most contemporary Dene, the Thelon Game Sanctuary, as we call it, is untouchable.
Few people have ever heard of this place and even fewer have chartered plane or boat to find their way deep into the middle of the middle of somewhere. The pressures of modern life have taken the Dene further from the land, and even as the Thelon still embodies so purely the balance of fecundity and decay, it is under threat. While this area is protected on paper, it has little management or funding, and its borders are being chipped away. Diamond, gold and uranium mining interests see ample opportunity within its untrammeled spaces.
In August of 2011, I joined 3 scientists from The Nature Conservancy, seven young Akaitcho Dene—ages 4-24—and two Dene guides for a 2-week, 200-kilometer journey on the Upper Thelon River. The Nature Conservancy wanted to support this expedition because it believes that these young leaders will speak out for protection of the Thelon. For many of them, this trip was a reprieve from a high technology, low-income world, where Caribou has been replaced by KFC.
Moving through the landscape with the young Dene, I was struck with how they thrived, even in the midst of a 3-day storm; beneath the nearly constant onslaught of mosquitos and black flies; and through a 5-mile portage, carrying 600 pounds of food. They built fires, paddled, fished, slept and ate enshrouded in bug suits. I heard no complaints for the duration of the trip, and the only tears shed came once from 4-year old Hawk, after talking to his mother on a SAT phone.
This trip was not for the faint of heart, yet I felt the heartbeat of my companions so strongly. Their spiritedness propelled us along as much as the water. Preparing artic grayling, goose and caribou was a communal effort embraced with the sort of primal respect that comes from a people who have walked the land for 30,000 years.
When we returned, our Dene companions seemed lost in the modern world of reality TV and pop culture. But, they kept moving, like the caribou.That land knows when its people are hungry. The Dene of Lutsel K’e and the Thelon share one voice. It may be, that the greatest hope for survival will come when they raise this voice from the rock and mud thick shores of The-lew-dezeth.
New IMAGES HERE: