Film for Ripple Effect Images

MediaStorm  created a beautiful film about my work with Ripple Effect Images. Our aim is to tell the stories that empower women around the world. Watch it HERE.

 

For photographer Ami Vitale, the pivotal moment occurred in Guinea-Bissau.

 

It was the start of her career and she was visiting her sister in the Peace Corp. Vitale expected Africa to be filled with war, famine, plague or the other extreme, exotic safaris.

 

Living in West Africa for six months showed her not only “how the majority of people on the planet live their day-to-day life,” but that people were not as hopeless as the newspapers portrayed. There was “a great deal of joy there.”

 

It is a revelation that has guided Vitale through 80 countries and a 13-year career.

 

Her original desire to take “beautiful pictures” was transformed into a desire to do justice to people and their stories. As a photographer Vitale’s focus has centered on issues surrounding women, poverty and health. The common denominator to all of her stories, she realized, is nature, specifically climate change. And it’s women who bare the brunt of those changes.

 

But when a woman is offered the tools to improve her situation, she runs with the opportunity. She transforms communities. “It’s a ripple effect,” says Vitale.

 

It’s the desire to see change that led Ami Vitale to join Ripple Effect Images, a photography organization started by Annie Griffiths that shares imagery with other changemakers.

 

“We are telling the stories that are so important and get lost in the headlines,” says Vitale. “They are the key to connecting things and allowing people to get engaged and make a difference.”]

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COFFEELAND: Images from Ethiopia in Afar Magazine

Check out this month’s issue of AFAR travel magazine and the story “COFFEELAND” by writer David Farley. This was an epic journey across Ethiopia tracing the origination of coffee that goes back to the thirteenth century. Legend says that a herder named Kaldi noticed his goats “dancing” after nibbling bright red berries. Kaldi brought the berries to a nearby monastery where holy men declared they must be the work of the devil and threw them into a fire. Yet, the aroma was too tempting and they quickly raked the roasted beans from the embers, ground them up, and dissolved them in hot water, yielding the world’s first cup of coffee.

This journey did not involve dancing goats but I did travel with brilliant coffee expert Geoff Watts from Intelligentsia coffee and the incredible people from TechnoServe who taught me more than I could ever imagine about my favorite beverage. I also got to meet farmers who showed me what they believed was THE ORIGINAL COFFEE TREE. This happened  in two different villages and there seems to be some debate over which one holds the original tree. Wherever the truth lies, I do know that the culture around coffee in Ethiopia is a serious affair. Its much more than gulping bottomless cups on the go. For those who’ve been invited to a coffee ceremony, it the highest possible gesture of respect and friendship. If you are attending an Ethiopian coffee ceremony, be prepared for a long wait. A traditional ceremony can last a couple of hours and it feels like a spiritual ritual as incense is burned and the grounds are brewed three times.  The first round of coffee is called awel, the second kale’i and the third bereka which actually means ‘to be blessed’.

The experience and knowledge changed the way I will ever think about coffee. Here in the USA, we sling it back but after witnessing first hand the tremendous energy and love it takes to get the best beans to market,  I came back a changed woman. And on the advice of these coffee experts, my french press is now sadly sitting in the back of the closet and we are brewing coffee by hand with the best roasted Ethiopian coffee. Here are some of the images from the trip but pick up a copy of Afar to see the whole story.

National Geographic Channel in Sri Lanka

The cameras have been turned and I’m on a new National Geographic Channel tv show called “Mission Covershot” shot in Sri Lanka!  The show captures the journey of eight photographers as they compete to get the perfect covershot  and the chance of having their photo on the cover of National Geographic magazine. I had the pleasure of being a lead judge on an esteemed panel that included leading Indian director Nagesh Kukunoor and National Geographic Magazine Traveler photography editor Ashima Narain. The lovely and charismatic Shibani Dandekar joined us as the host of the show.  I hope the series will not only be entertaining but also educate audiences and aspiring photographers about what it takes to make powerful photographs and stories. It may look easy to carry a camera and make beautiful images but there is a lot of hard work behind each photograph. And most of the time, working hard is much more important than raw talent. Millions of people can take nice pictures but you need to also have intelligence, ethics, sensitivity and know how treat people with respect. So tune in on the Nat Geo channel Monday nights at 10 pm from March 25. Click HERE to see a promo video.

Workshop in Sri Lanka August 9-18, 2013

Join renowned photojournalist Ami Vitale for an enlightening photography workshop on the island nation of Sri Lanka. She just finished a ten part TV series with National Geographic Channel that is currently airing in Asia. This summer she will lead a small and intimate workshop to “The Pearl of the Indian Ocean” with its abundant wildlife and ancient culture.  During the trip, you will have the opportunity to photograph and get daily critiques from Ami as she guides you to take your passion for photography and make a difference in your life’s work.  The workshop will focus on how to take strong still images and turn them into compelling stories that make a difference. CLICK HERE for a full itinerary.

One of the highlights of the trip will be exclusive photographic access to theKandy/Esala Festival. At this impressive festival, Buddhist traditions are performed in costumes with extravagant decorations and elegant detailing. In addition to front-row views for the festival processions, we will have private access to the dancers and performers as they prepare for the festivities.

We will also enjoy  exclusiveaccess in the Pinnewala elephant orphanage. A conservation project for orphaned and injured elephants, it is the only shelter of its kind in the entire world.  We will also visit Yala National Park, undoubtedly the best place to spot leopards in Asia, if not the world. We will meet locals, visit the centuries old Dutch Galle Fort and photograph the iconic stilt fisherman that Steve McCurry made famous.

If you are a photographer interested in how to create memorable photographic stories and multimedia presentations, make sure you attend Ami’s powerful and timely workshop. The location and knowledge gained will make this a once in a lifetime experience.

Montana Ranching, Redefined.

jblNew IMAGES HERE:More and more, people want to know where their steak comes from and how it was raised.  Spurred by growing concern over beef’s environmental impact and the long-term viability of their livelihood, a cohort of Montana ranchers is working to integrate ecological practices into livestock management.

Over the last year, I’ve been spending time with ranchers to understand what it means to ranch in this day and age. Is it possible that cows can be good for the landscape and ranching can still respect the animal, wild or domestic? The ranchers share a deep love of their livelihood and the land. Together, they work with The Nature Conservancy on an integrative conservation effort in the Centennial Valley, to preserve the integrity of the land in a way that benefits both people and wildlife.

The folks at Yellowstone Grassfed Beef believe that by mimicking the behaviors of wild herbivores, calving in the spring and intensely grazing an area for a brief period, before moving on—rangeland health will improve.  These practices reveal a deeper story—one of layered realities and changing times. Resilience, inventiveness and adaptability are not foreign concepts to these ranchers, nor is living at the interface of wilderness. Yet, does the value of what they know and the work they do translate to the dinner plates of those they feed?

The website of J-L Ranch here.

Check out the photos at NBC.com HERE

The Place Where God Was Born.

National Geographic has posted our story on the Dene First Nation people HERE.

The ancestral home of the Dene First Nation people is a landscape of unfathomable vastness. 52,000 square kilometers span this region, south of the artic circle, along the Nanuvet and Northwest Territories of Canada. The place is replete with musk ox, grizzly bear, wolves, arctic grayling, tens of thousands of caribou, and billions of biting flies. The-lew-dezeth, the wide and frigid river that flows here is for the Dene, the place where God began. Yet, for most contemporary Dene, the Thelon Game Sanctuary, as we call it, is untouchable.

Few people have ever heard of this place and even fewer have chartered plane or boat to find their way deep into the middle of the middle of somewhere. The pressures of modern life have taken the Dene further from the land, and even as the Thelon still embodies so purely the balance of fecundity and decay, it is under threat.  While this area is protected on paper, it has little management or funding, and its borders are being chipped away. Diamond, gold and uranium mining interests see ample opportunity within its untrammeled spaces.

In August of 2011, I joined 3 scientists from The Nature Conservancy, seven young Akaitcho Dene—ages 4-24—and two Dene guides for a 2-week, 200-kilometer journey on the Upper Thelon River. The Nature Conservancy wanted to support this expedition because it believes that these young leaders will speak out for protection of the Thelon. For many of them, this trip was a reprieve from a high technology, low-income world, where Caribou has been replaced by KFC.

Moving through the landscape with the young Dene, I was struck with how they thrived, even in the midst of a 3-day storm; beneath the nearly constant onslaught of mosquitos and black flies; and through a 5-mile portage, carrying 600 pounds of food. They built fires, paddled, fished, slept and ate enshrouded in bug suits. I heard no complaints for the duration of the trip, and the only tears shed came once from 4-year old Hawk, after talking to his mother on a SAT phone.

This trip was not for the faint of heart, yet I felt the heartbeat of my companions so strongly. Their spiritedness propelled us along as much as the water. Preparing artic grayling, goose and caribou was a communal effort embraced with the sort of primal respect that comes from a people who have walked the land for 30,000 years.

When we returned, our Dene companions seemed lost in the modern world of reality TV and pop culture. But, they kept moving, like the caribou.That land knows when its people are hungry. The Dene of Lutsel K’e and the Thelon share one voice. It may be, that the greatest hope for survival will come when they raise this voice from the rock and mud thick shores of The-lew-dezeth.

The Sub-Arctic Adventure Begins

I’m off for the Thelon, close the the Arctic circle with a group of indigenous children from the Dene’ tribe and will be incommunicado except for a blog we will have on The Nature Conservancy website called Cool Green Science—check it out. blog.nature.org

Naturally, I’m very excited for this epic adventure. For three weeks, we will be on canoes and venture into unchartered territory that the tribe believes is the place where God began his work. There will likely be bears, caribou and an un-Godly amount of mosquitoes as big as helicopters but worth it for the privilege of seeing this pristine environment.

Because we have to carry everything, I’m trying to stay light but somehow, it’s never light enough. This time I’m adding the Nikkor 200-400mm for any wildlife we might run into in addition to my usual Nikon setup: the 24-70mm, 70-200mm, a couple D7000 bodies and one D3s. I know I’ll be gritting my teeth as I lug this up in high altitudes but so worth it, right?

I’m also taking the Goalzero Sherpa to power everything and already experimented with it in Africa recently. Worked like a dream and super sturdy for the kind of traveling I do. Lastly, I have a small 10 inch notebook and 2 hard drives to back everything up. Gone are the days of film but I’m embracing all the advances in technology over the past 10 years. Its nothing short of a miracle. I’ll be creating short multimedia stories and making photographs along the way.

Now, I must finish packing. Just got home 2 days ago from a remarkable trip in the Brazilian Amazon… Will blog about that when I return and post new pix from the last few months.

National Geographic Workshop in Santa Fe

I’m looking forward to teaching a multimedia workshop at the Santa Fe workshops from February 17-23, 2013.   This week long workshop will be intense and challenging but  ultimately very rewarding. I will be exploring  how to make the jump from stills to video and will focus on helping the students tell more compelling visual stories using video, audio and still imagery.  I will also delve into the process of getting work published from first crafting the initial proposal, finding a storyline, gaining access to subjects and finally editing the work into a cohesive story. Participants will be expected to document a short story and edit it together during the week. I will also talk about the business itself and address issues like writing proposals, understanding copyright, contracts and model releases. This is a workshop about producing real reportage, getting honest feedback, and ultimately how to get work published.

Over the Islands of Madagascar

These are just the first few minutes of the documentary on my work in Madagascar. It will be available in full length as an app in the Apple appstore in July 2011.

Over the Islands of Africa — Madagascar

The sounds of their names alone conjure up thoughts of pristine beaches, spices and the tales of a thousand and one nights. The five-part documentary series “Over the Islands of Africa” follows five internationally renowned photographers as they explore the islands around Africa — Zanzibar, Mauritius, Madagascar, São Tomé & Príncipe and Cape Verde.

The photographers stop at nothing in pursuit of spectacular perspectives for their aerial photographs, stories and portraits, making use of unusual means of transport, from a motorised parachute to a flying rubber boat that can land on land as well as water.

There are few women among the upper echelons of photographers. Ami Vitale is one of them. A frequent visitor to the world’s conflict zones, Ami looks for more than just beautiful motifs. She seeks out the story behind the picture. In Madagascar, she she wants to explore what it means to be Malagasy.

Ami begins her journey on the old pirate island of Nosy Bé in the northwest. Together with the French skipper Nicolas, she sails along the rugged coast to the realm of a king of the Sakalava culture. The daily lives of Malagasy are regulated by prohibitions and taboos that often remain invisible to strangers. Depending on which group one belongs to, it may be forbidden to touch a chameleon, talk about crocodiles or work on Thursdays.

Armed only with her camera and a few newly acquired phrases in the local language, she ventures into villages seldom visited by strangers. The women show Ami how to carry a bucket of water on her head, winnow grain and protect the beauty of one’s skin beneath the blazing African sun. At the Sakalava’s festival in honour of their ancestors, Ami meets the spirits of deceased villagers. She learns that chameleons are harbingers of misfortune and hears the blood-curdling nightly howls of the Lemurs. Ultimately she even gets a private audience with King Momad, one of the last kings of Madagascar.

In Diego, Ami meets the gem trader John. He leads her to sapphire mines, where fortune-hunters risk life and limb in search of the ultimate prize.

Pilot Yves takes Ami to the heart of the island, the Malagasy highlands, in his small propeller plane. The flight affords Ami the chance to take some breathtaking aerial photographs. In the capital of Antananarivo, the picture starts to take shape for Ami. She meets the musician Rajéry, who lets her in on one last secret — the sound of Madagascar, which goes straight to the heart.

Spirits, Kings, Lemurs — Madagascar treats Ami to a multitude of new impressions and spectacular pictures. Director Christian Schidlowski and his team accompanied her on her trip.

Documentary | 2011 | HD | 52 minutes
Directed by: Christian Schidlowski
Dramatization and editing direction: Verena Schönauer
Camera: Sascha Kellersohn
Music: Nils Kacirek
Production Manager: Carolin Neubauer
Line Producer: Markus Breimaier
Producer: Thomas Wartmann
Editor: Ulrike Becker, SWR

Santa Fe Workshop: From Stills to Video

The medium I work in is changing and video is now playing a much bigger role in what we do. Cameras like the one I carry can shoot hd video and it can enhance our abilities as storytellers.  This is already playing a big role in my future but I don’t think I would have had the courage to take the leap into shooting video without one small lie, to Nikon, when they called and asked if I knew anything about making videos.  “Yes of course”, I replied instantly, knowing nothing about moving images or how to even operate the camera. I assumed I’d have time to learn before the shoot but was surprised when they sent the camera only the night before my trip to India began. I frantically studied the manual on the 28 hour long journey and arrived terrified and wondering if I had just made the biggest mistake of my life. Here is the film I made there, an homage to India.

If I had not had the opportunity, I am sure I never would have made the leap but I’m so grateful I did. In a time when media is struggling and searching for a new path, I’m finding that I am busier than ever telling meaningful stories in new ways. Its an exciting time to be a photographer and journalist. I am teaching a week long workshop for the Santa Fe Workshops from February 27 until March 5. I will show my students all the mistakes I made and at the same time, how learning this skill will create more opportunity.