IndieVoices Campaign a Success!

Thanks to the generosity and support from an extraordinary community, my IndieVoices crowd funding campaign has been successful and we are on our way to creating a very important project! I am grateful to everyone who contributed and shared this story.  The New York Times and National Geographic Proof also featured it on their websites.

Commercial poaching organized by sophisticated heavily armed criminal networks and fueled by heavy demand from newly minted millionaires in emerging markets is devastating the amazing mega-fauna of the African plains. It is entirely possible, even likely, that if the current trajectory of death continues, rhinos, elephants and a host of lesser know plains animals will be functionally extinct in our lifetimes.

Much needed attention has been focused on the plight of wildlife and the conflict between heavily armed poacher and increasingly militarized wildlife rangers. However, the compelling story of indigenous communities caught in the cross-­hairs of the poaching wars, and who may hold the key to saving Africa’s great animals, is largely untold.

If you’re still interested in supporting this, its not too late. Please get in touch with me personally. Your contributions will go back into these communities and these majestic creatures.

You can also help by contributing directly to the powerful work of The Lewa Wildlife Conservancy and The Nature Conservancy in Africa who fight everyday to protect the natural world we all share.

Thank you so much!

In the photo above, Yusuf, a keeper at the Lewa Wildlife Conservancy in central Kenya, slept among three orphaned baby rhinos. The calf he rested his head on was orphaned when poachers killed his mother 50 miles away.

The Aftermath Project

The Aftermath Project is a non-profit organization committed to telling the other half of the story of conflict — the story of what it takes for individuals to learn to live again, to rebuild destroyed lives and homes, to restore civil societies, to address the lingering wounds of war while struggling to create new avenues for peace. The Aftermath Project holds a yearly grant competition open to working photographers worldwide covering the aftermath of conflict. Deadline is typically in November.

Alexia Foundation

The Alexia Foundation provides grants and scholarships to photojournalists, enabling them to create work that gives voice to those who go unheard, fosters cultural understanding and exposes social injustice. It annually provides a $20,000 grant for a professional photographer to produce a substantial story. The Foundation also provides grants and scholarships for six students. Students must be enrolled full time in an accredited college or university. Photographers from anywhere in the world are eligible.

Carmignac Gestion Photojournalism Award

In addition to an award of 50,000 euros, the Carmignac Gestion Foundation supports the winner after completion of the project by financing an exhibition and a monograph. The Foundation also commits to buying four photographs from the work produced. In offering this award, the Carmignac Gestion Foundation aims to support photojournalists who find themselves working on the front-line of different situations. In choosing to support this profession which is critically underfunded, Carmignac Gestion wishes to provide these key witnesses of the contemporary world with the means to go where others don’t.

CDS Documentary Essay Prize in Photography

The CDS Documentary Prize honors the best in documentary writing and photography in alternating years, with a focus on current or recently completed work from a long-term project. The winner of the competition will receive $3,000 and have his or her work featured in Document, a quarterly newsmagazine published by the Center for Documentary Studies, as well as in a virtual gallery on the CDS website.