Guinea Bissau: Rediscovering the Soul of a Forgotten Land

I recently returned to the West African country of Guinea-Bissau on a generous grant from the Alexia foundation to revisit a village where I began my career as a photographer ten years ago. Young and very green, I had applied for a grant from them back in 2000, on a whim. To my delight and horror, I got it – even beating out some National Geographic photographers I heard, who had also applied that year. I had no idea what I was doing and was terrified. But the foundation felt there was something special about my proposal to document a small village in an unstable country torn apart by war. They took a risk on me back then and changed the course of my life.

Flash forward to 2011, and not much has changed in Guinea-Bissau. Bullet holes still pockmark the elegant facade of the presidential palace, its gutted interior still blackened by bombs from a civil war fought over a decade before. One aid organization working in the area has unearthed approximately 3,000 anti-personnel mines in the capital and is still digging up unexploded ordnance in the countryside. Corruption, a devastated economy and continuing instability continue to erode the urban center, while crumbling infrastructure and skirmishes with separatists in neighboring Senegal have caused thousands of civilians to flee border areas. Despite my experiences working in such places, returning felt just as terrifying as when I first arrived ten years ago.

Guinea-Bissau is a forgotten state. Few flights arrive here each week, aid agencies are scarce, and now the country is being called Africa’s only narco-state, a nation controlled and corrupted by drug cartels. As a recent U.N. report concluded, it has everything criminals need: “resources, a strategic location, weak governance and an endless source of foot soldiers who see few viable alternatives to a life of crime.” Many fear this will further destabilize the already volatile country.

Even getting a visa was a challenge. Every phone number I found for a consulate or embassy was disconnected, and flights to neighboring Senegal had been canceled for weeks due to conflict near the border. I finally came across a number in New York. The woman who answered was the UN representative, running the consulate out of her home for the last seven years because the country was too poor to pay rent for an office. After a few questions, she paused: “I know you,” she said, laughing, “You sat next to me on the plane to Bissau 10 years ago. I still have a photo of you with my daughter.” I was shocked. This was a powerful reminder that despite all the problems, it’s the people who make a place special, and it is personal connections that help me through obstacles.

Once I landed, my fears washed away. I once studied Pulaar, the local language, and now I was putting it to good use, remembering all its elaborate greetings. This was the single most important thing I could have done to prepare for my trip. It kept me safe. As I took public transport to the village, my fellow passengers stared at me with shock and delight. They were so thrilled that a foreign woman would know some of their language that I could tell right away no one would ever harass me. Instead, I was met with laughter, smiles and gracious offers to carry my belongings. The women in the village saw me first and began running to greet me. I cried, they cried, we laughed and settled in for the night. I spent 12 days there, listening to their stories and taking photos.

I learned on my first visit that every day is a struggle for Guineans, but I was mesmerized by the people who gave so much to open up my eyes to the beauty and sadness of their lives. Through it all, I was reminded of how similar we all are despite the distances between us.

On my last evening in 2001, I sat with a group of children beneath a sea of stars talking into the night about my return home. One of the children, Alio, innocently asked me if we had a moon in America. It seemed so symbolic and touching that he should feel like America was a separate world. I was able to meet Alio again this time around. Now he is a young man with a cell phone and a worldly vision. I asked him if he remembered our conversation about the moon. He laughed shyly and said, “Yes, I know now – we share the sun and moon – but here you are our guest, so we will share ours with you.” Once again I was reminded that no matter how desperate and impoverished a place may look, the truth is that nearly everyone on this planet shares the same values. I see a lot of people with common notions of kindness, peace, generosity and a sense of community, and the moon serves as a constant reminder that we are all tied together in an intricate web, whether we believe it or not.

Covering Conflicts

With the events unfolding across the Middle East, the Dart Center for Journalism and Trauma contacted myself and several other journalists who have worked in conflict zones to better understand what you can do to cover volatile street protests without getting injured. Here are my comments and please look at this link to see some intelligent advice from a  few well-known, seasoned journalists who have collectively covered many of the most dangerous hot spots on the globe.

1) First find a safe place that gives a clear view of what is happening without putting you in the middle of the fighting. For example, go on top of a building above to analyze what is happening below. Take time to watch how the police/military   and crowds are reacting. Do they have live ammunition? Are events escalating quickly? Its important to understand what might happen and how to find a safe place to cover unfolding events.

2) Go with someone who knows the city well if you do not.  Know where there are some exit points. For example, don’t get caught in between a crowd and the police on a bridge. There is nowhere to escape if it turns violent. If it’s in a city, look for doorways and alleys to slip into if you need a quick escape.

3) Understand there is no reasoning with mobs. My own personal experience was in Palestine when a mob of angry young men thought I might be an agent of a foreign government. The only thing that saved me was because I had spent the day with a group of women in their home and they saw the angry mob and came to rescue me. Because they felt they knew me and trusted me, they got involved. If I had only showed up to cover this event and had known anyone, there is a good chance I would not have made it out alive. Mobs are angry, there is no reasoning with them and they often want to see blood in order to avenge someone.

4) Understand visual cliches and try to get past stereotypes in a fast-breaking story. For example, I will often try to find quieter ways of telling a violent, sensational story. The violence often overshadows the deeper message.

Madagascar

I’m back from Madagascar where I spent a month before the holidays,  discovering the island for a TV show called “Maritime Africa”. It will be a five-part documentary series about the islands around Africa.  SWR/ARTE (German and French public TV) and twelve other European stations will air the show that will be about the islands, their people and the distinct cultures as I document it for a coffee table book.  It was a privilege to work with this incredibly talented group  of people. Check out their website: http://www.filmquadrat-dok.de/ Images will follow soon!